Okay, I can’t resist.   On Monday night  I’m going to see Dylan, for the 3rd time in Israel.   It’s either three  strikes and you’re out as they said back in the old country, or as they  say in Israel — pa’am shlesheet, glidah (third time,  ice cream).  
The first time, in Park Hayarkon in 1987 was a disaster. Dylan was in a totally non-communicative mode, and the only saving grace was the opening set by Byrds lead singer Roger McGuinn, and the second set by his relatively unknown at the time backup band, none other than Tom Petty and the Heartbreakers, who were more Dylan than Dylan himself. The second time was in ’93 in Heichal Hatarbut in Tel Aviv, when he compensated for the first time.
Now comes the big challenge of  competing with Leonard Cohen’s triumphant concert in the same Ramat Gan  national soccer/football stadium a year and a half ago. So, in honor of the occasion, here’s a  collage of my personal choice of some of his best songs.  I really don’t  know most of his more recent post-mid ’70s work, so if anyone can  enlighten me on that, please do. Incidentally, it’s very hard to find  Dylan versions of his songs on You Tube, because of some copyright  issue. The list is not in any particular  order:
The song which introduced most people  to Dylan, though I was one of the 5,000 people who bought his first LP a  year before.  The Dylan song that I have sung most often, including at  my son Adi’s bar mitzvah and at Lee Perlman’s 50th birthday, fittingly  at the Arab-Hebrew Theater in Jaffa.  Nava & I sang it at on Kibbutz  Barkai soon after we arrived at an erev shabbat the night that  Kennedy was assassinated.   As far as I know it was the first ever  public performance in Israel of the song, though folk singer Judy Silver  told me that she also performed the song the same night at Kibbutz Beit  Alpha.
Aviv Gefen’s Hebrew version of Hard  Rain, frequently played at Israeli peace rallies, I believe translated  by his father Yehonatan Gefen.
One of the most powerful anti-war  songs, ever.  Echoes of President Eisenhower’s warning against the  military-industrial complex.
Ah yes, visions of the 60s.
Wonderful, enduring statement/song
The ultimate rebellion
Has a lot of personal meaning for me.
His greatest song, maybe
And to think that he was only 21 when  he wrote this.
The ultimate 60s experience song,  fascinating version from the movie in the episode where Kate Blanchett  plays Dylan.
Dylan and Harrison – I actually  performed this song at the old Tzavta Club on Mapu Street during my  pre-Yom Kippur War singing career
Ranked the number one guitarist on the  100 best guitarists marathon on 88 FM on Shavuot, the tremendous Hendrix  version of the song.
Wow – sounds like Jagger, but it isn’t.
Yes, we were all so much older then,  we’re younger than that now.
Great, powerful version.   According to  Dylan’s book Chronicles – the song is inspired by Lotte Lenya’s singing  of Pirate Jenny in the Brecht on Brecht show in the Village, which I  remember seeing as well.
I used to sing this one to someone, and  she didn’t like it.  For some reason, I considered it a companion piece  to See Saw by the Moonglows.  She didn’t like that either.
His greatest song (personal taste),  maybe.
Funky early Dylan from the Band’s final  performance, Scorcese’s Last Waltz
Easy Rider, as Dennis Hopper and Peter  Fonda alias Captain America head off to their inevitable date with doom.
There is still hope. Around 64/65 Nava  & I formed a trio with Uri Dagan to sing this at the regional May  lst celebration at Kibbutz Gan Shmuel.   Vedder, lead singer of Pearl  Jam does a beautiful version, though I can do without the call to vote  Ralph at the end. 
Stream of conciousness/surrealism, you  don’t need a weatherman to know which way the wind blows.  Who is Allan  Ginsburg talking to in the left hand corner?
Had to include it – ranked by Rolling  Stone magazine as the top Rock song of all time.
Hillel Schenker
Co-Editor
Palestine-Israel  Journal
POBox 19839,  Jerusalem
972-2-6282115          
							
			
					
		
		
Hope you had fun; my dad was unable to go while he was there.
Hillel,
What do you think of J.J. Goldberg’s critique (Fighting Off Israeli Isolation With a Dose of Bob Dylan and Shakira) – his critique of the concert, and of the Israeli critiques of the concert. It’s at
http://www.forward.com/articles/139001/